Posted on September 30, 2009 in 4th Street Arts, News
It still amazes me that my only experience with the 4th Street Art & Music Festival up until last year was the unmistakable rumble of live music reverberating down Second Street during the Jersey City Artist’s Studio Tour. As quickly as it appeared, the following day, it was gone. Something cool was happening in my neighborhood, I just had absolutely no clue to what it was. Perhaps it was the party of all parties, and I was just too uncool to be slid an invite. No matter, there’s always next year.
Last September, days before the studio tour, Mike Macnamera, one of the head honchos with the festival, showed up to our VNA meeting. He introduced himself, and invited the VNA to set up our tent for the festival. I liked this guy, and I was intrigued to see for myself what had for so long eluded me.
It turns out this was no private party, and you don’t need a special invitation to attend. Hell, someone so lacking in cool as myself seemed to fit right in. This thing had everything – great music, food, funky art, and my kids had a blast. And the shocker, I was standing right in the middle of 4th Sttreet, in the heart of The Village. How is this happening?
As the day progressed I quickly realized that Mike and the gang were on to something here. With the demolition of 111 First Street, and the once home to the Jersey City art scene, this cultural epicenter had splintered and found new homes, many of which are the store fronts and commercial spaces right here in the Village.
This, I believe, is a blueprint for the future of The Village neighborhood. The meat and vegetable markets that so notably served the needs of this neighborhood for nearly a century, are nearly all gone now. But that infrastructure of street level store fronts, and even larger commercial spaces remain. The perfect setting for displaced artists to put down roots in which the growth of a community is inevidable.
One such space is owned by artist and cultural pioneer, Frank Pailia. A former turn of the century firehouse, Frank purchased the 4xx Fourth Street in 1988, and his impact on the Jersey City art scene was felt soon afterwards. In 1989pp, in collaboration with several downtown artists, Franc began the very JC Studio Artists Tour that the 4th Street Festival is now a major attraction of. This same group of artists banded together soon afterwards to form Pro Arts, a non-profit group who’s mission is to support and promote local Jersey City artists.
None of Franc’s contributions would have been possible without first having the vision to actually make the leap to move to Jersey City. But why here? For Franc – “I knew in my gut that JC would become an artist’s mecca and boom town in every way. We started the trend.”
Franc credits former Mayor Brett Schundler as “the first mayor to really understand and appreciate what artists can do for a city. This paved the way for what Pro Arts is currently doing by working with city politicians, and pushing the arts agenda towards the front of the line.”
With Jersey City as his backdrop, and Fourth Street as his home, Franc soon put together a group of four artists, and began the city-wide mural project, painting murals, exhibiting, and curating in local spaces. The large Columbus Street mural is one such example.
Though his move from Jersey City to Poughkeepsie, New York has been a gradual one (Franc still maintains a pied -a -terre apartment in the building), the vacancy of his studio space, and the groundwork he layed, set the stage for further cultural growth on Fourth Street.
In 2001, Mike moved in. He set up his home and photography studio, and set up shop.
Collaboration comes in many forms. As we were kicking around ideas last winter for a Village Neighborhood Assn.’s first annual Spring event, location was an obvious concern. Unlike the Van Vorst Park and Hamilton Park neighborhoods, we lacked that physical center and focal point that defines their identities, that being s park. Sure, Mary Benson Park is nearby, but in it’s current condition, and the fact that it’s primary use is punctuated by the baseball field smack in its middle, it was hardly the most ideal location.
Remembering the sense of community I experienced as I stood on 4th Street last fall, I knew exactly who I should call. Mike not only welcomed our event to 4th Street, which grew into the monsterous Village Art and Flea Market, but 4th Street Arts became an official supporter. As steadfast liasian between city agencies, Mike not only helped us secure our neccessay permits and licenses, he became that all important bridge between The Village neighborhood and this emerging art community.
Following the success of The Village Weekend and The Village Art and Flea Market, Mike offered us the opportunity to become an official supporter of this year’s 4th Street Art and Music Festival. I happily agreed. Check out all the details about the festival on their mini site, which is proudly hosted on jcvillage.org
The rebranding of a neighborhood is not a singular event. The historical significance of an area needs to be embraced as a community looks to redefine it’s future.
One moment of last years 4th Street Festival stands out for me personally, and really illustrates the importance of neighborhood identity. At one point during the day i needed to head back to the house for some supplies. As i rounded the corner of Newark and Fourth, two hipsters with tattoos covering 80% of their bodies were approaching – one remarked to his buddy as they weaved their way through the crowd towards the festival- “They call this neighborhood The Village” – I smiled, that was music to my ears.
Left: Actual Village Sign from the 1970s. Right: Bands rock last year's 4th Street Art & Music Festival Festival in Jersey City
It still amazes me that prior to last year, my only experience with the 4th Street Art & Music Festival was hearing the unmistakable rumble of live music reverberating down Second Street on a random weekend afternoon each Fall. As quickly as it appeared, the next day, it was gone. Something cool was happening in my neighborhood – I just had absolutely no clue what it was. Perhaps it was the party of all parties, and I was just too uncool to be slid an invite. No matter, there’s always next year.
In September 2008, days before the Jersey City Artist’s Studio Tour, Mike “Mac” McNamara, one of the head honchos with the 4th Street Festival, showed up at our Village Neighborhood Association meeting. He introduced himself, and invited the VNA to Continue reading →